Camosun, For Fun

So long and thanks for all the global beats Village 900

This is a long post. The kind of post that I write more for myself because it is fairly personal and not something that is directly related to what I usually write about here. Or maybe it is. If you decide to slog through my memories and recollections, you can decide.

I heard a few days ago that Village 900 radio at Camosun College is going off the air on March 4th.

Village 900 is/was licensed as an instructional radio station, one of a handful of stations across Canada that had this instructional designation. Meaning it’s primary purpose was to train broadcasters. It was  experiential education at is finest, and, for the past 20 years, students in the Applied Communication Program at Camosun have been using the station as a launching pad for media and communication careers.

But, as we all know, times are a-changing for traditional media, and for the educators who teach in that field. I won’t get into the details of why the station is going off the air. Suffice to say, this day has been inevitable.

Why do I care?

I have wonderful memories of managing that station from 1995 (when it was then CKMO radio, a small 50 watt FM radio station) to 2001. During that time, I had the opportunity to work with so many people who, if you live in Victoria and pay attention to any media outlet in the city – mainstream, public or alternative – are probably part of your everyday life. I turn on almost any radio station in town, open a newspaper, scan a local website, hear a soundbite delivered by a spokesperson of the government/non-profit/corporation/event, hear an announcement on a ferry, voiceover in a tourist attraction and I see and hear the voices of the graduates of the Applied Communication Program. So, my first memory is of the students and faculty I have worked with over the years associated with both the station and ACP.

I was there for the birth of Village 900. Early on, the idea of Village 900 was unique. Moving away from the traditional block formatting you usually find on alternative or campus radio stations, we focused on ways in which we could continually provide an aural reflection of the cultural diversity in our community. We created a melting pot of sound, blending world, worldbeat, traditional folk and roots music continuously throughout the day. One minute you might hear the Algerian club rai of Cheb Mami, the next the lipstick, lies and gasoline of Fred Eaglesmith. We dubbed the music format Global Roots, and tagged the station with the identity of Village 900 – A World of Music, A Community of Ideas.

We imported programming from around the world, airing shows from Radio Netherlands, the BBC, Channel Africa, the United Nations. We took this idea of global culture seriously, and tried hard to reflect it on the air by making connections with public broadcasters from around the world to air their programming . This was really early days of the Internet when this stuff wasn’t available with a click like it is now. Radio programs arrived weekly in the mail on cassettes, reel to reel tape, and CD’s. If we were lucky, we might get a satellite feed.

There was also a real commitment to local artists from Victoria, the Gulf Islands and Vancouver. Chances are, if you were a world or folk/roots act based in Victoria, you passed through the doors of Village 900, often with guitar in hand, pulling up a mic and tossing out a few tunes live on the air.

Village 900 and its predecessor CKMO are intensely personal for me in a couple of ways.

First, as part of the development team, it was a station that embodied and reflected my own deeply held beliefs in the power of universality, multiculturalism, education and culture.

It also introduced to me the entire world of alternative media through the works of people like Noam Chomsky and Neil Postman. By virtue of being a “campus” radio station, I had the opportunity to see both radio and the media in a whole different way than when I worked at a commercial radio station. In fact, it validated for me that community radio is what radio is supposed to be, and that commercial radio (and, by extension television as well) is, for the most part, a tragic waste of a publicly owned bandwidth.

I used to be passionate about that (and God love ya VIU for keeping this students writing from 1997 alive and available on the web 15 years after the fact. It’s a credit to you and your IT people that you have not trashed this stuff and sent me scrambling to the Internet Archives to dig it up). But today, in a world where anyone can be the media, I don’t care that much any more. The media has been democratized, and there are other, more important battles these days.

Village 900 was also a low risk experiment which afforded me the opportunity to play; to try things unencumbered by a ton of constraints. Sure, I had some parameters, but for the most part as long as the station met the mandate of training communication students while abiding to the broadcasting laws and regualtions we were governed by, I was pretty well left to my own devices. I had autonomy to make decisions and try different things.

The website, for example, was my ongoing personal learning laboratory – a project for me to experiment with. Which meant that, in 1995, I could do things like make a station website even when I had no idea how the web worked.  I did it because I could follow my interest (passion based learning?)  into this new thing called the web. I was an active BBS user in the early 90’s, so was curious as to what this whole web thing was about. After building a website, and then another, and another, I got hooked. My love of the web – both the technologies and the culture – was ignited at that station.

Working at the station also ignited another lifelong passion for me; a love of education. One of the truly unique aspects of the station was the requirement that we air educational radio programs. What that meant was that we had to, as a condition of our broadcast license, work with faculty at the College to create for-credit courses that aired on the radio. In 1995 when I first got to the station, I saw this requirement of our license as a bother – a technicality that needed to be filled.

Oh, how wrong I was.

What started as a requirement soon became one of my favorite activities. I loved working with the faculty and producing their radio programs. We did all kinds of wonderful programs.

I remember working quite closely in those early days (95/96/97) with a Psychology instructor named Gary Anderson. With Gary, we created a handful of Psychology radio courses. Each course consisted of 12, 1 hour radio shows. We went all out. Gary was full of ideas and had tons of energy. He had vision and a passion for radio. He loved the medium. The storytelling, the conversational aspect that great radio presenters have, the theatre of the mind, the ability to connect with experts via telephone. We interviewed psychologists, created radio dramas, had panel discussions, dramatizations, went out of the studio and did streeters. This was not a single instructor talking for an hour at a time. These were full on productions. At our height, we were airing 30 hours a week of educational programming, including English, French, Psychology, Geography and Physics courses.

Little did I realize that during the process of creating these courses, I was being turned into an educational technologist.

Looking back on it now, I realize that this was the pivotal moment in my career when I began to feel more like an “educator” and less like a broadcaster. Which is funny because, even though I worked as an instructional assistant with students carrying out the day to day operations of the radio station, it was working on those radio courses that made me feel like I was doing something “educational”.

It was during the development of these radio courses that I first heard the word pedagogy (wish Wikipedia was around that day), and was lucky enough to work with both a skilled broadcaster and educator in Helen Pearce, who understood more than anyone I have worked with, how to use audio in an educational context.

So, here we are…at a thousand words and I could probably write another thousand about what a profound influence working at CKMO/Village 900 and in the Applied Communication Program at Camosun has had on my career and my life. Transformative experiences in higher education are not limited to students.

In recent years, my involvement in the operations of the station has diminished. After leaving the Applied Communication Program in 2001 to delve deeper into the web side of the edtech world, I did sit on the board of the station for a few more years. But I found that I was too close to it and had taken it as far as I could. It needed new blood to survive. Like a parent who knows that it is time to let their child go, I had to step away.

After hearing the news, I’m feeling both sad and nostalgic. Like an important piece of my life is passing into history. Perhaps this is a eulogy written for an old dear friend who, when we were both younger, would walk along the same path. But upon reaching the fork, chose different directions.

It will be an odd sensation on March 5th when I hit preset #4 on my car radio and hear nothing but dead air.

CC BY 4.0 So long and thanks for all the global beats Village 900 by Clint Lalonde is licensed under a Creative Commons Attribution 4.0 International License.

Comments

  1. It was one of my favorite music radio station, love the music selections, for a long time I was listening to it on my iPhone app. So sad to found out it was off the air. I was listening to it in China….

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