#ds106. I am sure that is going to be a trending hashtag in the new year as Jim Groom’s MOOC (Massive Open, Online Course) on Digital Storytelling gets underway in January. And looking at the participants who have signed on so far (or are contributing without actually jumping into the course), it is going to be a heck of a fun ride.
So many people in my network are participating (including one of our Art instructors) that I am feeling quite bummed about not being able to take part. But this winter/spring will see me finishing my Masters thesis, and, after the time I spent putting this together last night, DS 106 would just be too compelling a reason to not transcribe that 90 minute interview.
Here is the gist of a potential DS 106 assignment (suggested, I believe, by Tom Woodward)
Make an animated gif from your favorite/least favorite movie capturing the essence of a key scene. Make sure the movement is minimal but essential.
So, here is my contribution.
From Kubrick’s A Clockwork Orange. This captures the moment where Alex, sitting with his droogs in the Korova Milk Bar, hears a woman singing opera. As that sly smile creeps across his face, we are fooled into thinking that he has nothing but scorn and derision for the older group of well dressed people sitting in the bar, and that he is about to call his droogs and go all malarky on their asses. But, what becomes clear a few moments after this, is that smile is not a smile of wicked delight at the thought of going ultra-violent, but a smile that revels his love of music. It is this moment that reveals both a weakness and a humanity that is ultimately both sympathetic and repulsive. And, if you know the movie, that love of music becomes a key plot device later on when his behaviour gets modified.
I did this using the frame capture feature of the VLC player, and then created the animated gif in Adobe Fireworks.
This is the reason why I can’t do DS 106. As I beavered away on this in the basement last night, 20 more invitations to participate in my thesis research didn’t get sent out. Too…much…temptation.
What I find really interesting about this (besides the subject and the delivery method) is how Jim has taken the Instructional Design of the courses out into the open. Jim is certainly at the helm here, but he has asked his network for ideas. What kinds of assignments should this course include? How does one go about designing a MOOC?
He is crowdsourcing instructional design.
@jimgroom another #ds106 idea, 3 degrees of wikipedia competition http://bit.ly/fkc9nq see who can come up with most obscure wikiP “triple” (from @sleslie)
I’d like to see someone write a story/poem with a “googlewhack” in each line http://bit.ly/Vehkm #ds106 (from @twoodwar)
5 Card Flickr #ds106 Story: Life is Like a Barrel of Pandas http://bit.ly/h5TtSV Add to pool tag ds106 in flickr Play http://bit.ly/ga6xEr (from @cogdog)
Maybe a good idea to use in #ds106 “Tim Burton’s new project: Storytelling with Twitter fans” http://ow.ly/3nVzz (from @jtcf)
It’s a conversation that not only are his network of educators contributing to, but also potential students for the course. This course is being designed, at least in part, by the crowds, led by a trusted network of educators that Jim has invested the time and energy in to developing relationships with.
It is a testament to the benefits of educators being open and engaged in social spaces, and taking a long term approach to developing relationships. If Jim had just started blogging or had just started using Twitter a month ago, this type of collaboration would not be possible. The network effect would not be there.
For me, a learner trying to understand the process of designing engaging learning experiences in a technology mediated environment, this type of transparency of process is invaluable, as it is to Jim, who builds on the successes and challenges of those who came before him. Standing on the shoulders.
Rock on, my droogs. I’ll be lurking along the sides and look forward to seeing what you all come up with.
See, this is why I can't do ds106 by Clint Lalonde is licensed under a Creative Commons Attribution 4.0 International License.